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Photo Books That Have Influenced My Journey in Photography: Book Two

  • Writer: Kathleen Nathan
    Kathleen Nathan
  • Feb 7
  • 2 min read

Aperture 16:2

Minor White / editor

January 1, 1971


Dave Heath
Dave Heath

1972, I was young and struggling to find my life path. The road to becoming an artist is not clearly marked; there isn’t a map that can get you there. During this lost time, I worked as a waitress. One day after my lunch shift, I stopped by the local bookstore: looking for nothing specific, just to browsing. Sifting through the sale bin I spotted a slim, monochromatic publication. On the cover was a stark black and white image of a young black girl wearing glass flitting across the frame, underneath the photo was the title, APERTURE.

 

Flipping thru the pages I saw photographs like I had never seen before. The works of photographers Nathan Lyons, Fredrick Sommers, Aaron Siskind and Emmet Gowin images had a quality that communicated more than just how things looked, they had an evocative and poetic power.  This small publication was the inspiration and direction I needed to begin my journey in photography.


 

Nathan Lyons, Notions in Passing

 

In this series Lyons makes photographs that are almost snapshot like, taken quickly, on the go, in passing. Lyons combines and couples these images to create layered, poetic sequences.



Notions in Passing, 1962-1974

Notions in Passing, 1962-1974
Notions in Passing, 1962-1974


Frederick Sommers

 

Sommers experimented with many techniques to create beautiful abstract and often surreal silver gelatin prints. In his Cut-Paper work, Sommers brings together his interest in drawing and photography.


Cut-Paper, 1970
Cut-Paper, 1970

Cut-Paper, 1970
Cut-Paper, 1970

 

Aaron Siskind, Photographs of Rome 1963 & 1967

 

Aaron Siskind began his career as a documentary photographer in the 30’s during the Great Depression. At this time, Siskind used photography as a tool to record and address social injustices.

In the 1940s, Siskind’s photographic interests moved away from socially centered, documentary works toward abstract, poetic, conceptual images. This new direction paralleled the work of the Abstract Expressionist painters of that era.


Rome 25, 1967
Rome 25, 1967

Rome 9, 1963
Rome 9, 1963

Rome 78, 1963
Rome 78, 1963


Emmet Gowin

 

Emmet Gowin became known for his exquisite and sometimes mysterious , intimate photographs of his wife, Edith and her extended family living in rural Virginia, during the 1960’s and 1970’s.


Edith, Ruth and Mae, Danville, Virginia 1967
Edith, Ruth and Mae, Danville, Virginia 1967

Nancy, Danville, Virginia 1969
Nancy, Danville, Virginia 1969
Family, Danville, Virginia 1976
Family, Danville, Virginia 1976

 
 
 

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